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Painted in 1883, this oil on canvas piece comes to the Columbia Museum of Art from the National Gallery of Art in Washington, DC. Also known as “Bulb Fields,” this was Van Gogh’s first garden painting.<\/p>\n
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The artwork of Vincent Van Gogh can be found in art museums and private collections all over the world, scattered as far and wide as the glowing stars in \u201cThe Starry Night.\u201d <\/span><\/p>\n Curators at the Columbia Museum of Art have managed to lasso some of these stars,\u00a0bringing 12\u00a0of Van Gogh\u2019s most\u00a0iconic paintings to South Carolina for the first time. The “Van Gogh and His Inspirations” exhibition opens Oct. 4 and includes 50 other artwork by artists who influenced Van Gogh.\u00a0<\/span><\/p>\n \u201cThe world just doesn\u2019t get tired of Vincent,\u201d Chief Curator Will South said. Van Gogh is one of the most recognized artists in the world, known for his paintings of fields and sunflowers, but also for his private artistic torment. <\/span><\/p>\n While his artwork has become part of popular culture and can be found stamped on anything from notebooks and socks to umbrellas and phone cases, his personal life has inspired award winning films like \u201cAt Eternity\u2019s Gate\u201d and \u201cLoving Vincent.\u201d <\/span><\/p>\n The exhibition draws on the critically acclaimed biography “Van Gogh: The Life” by authors Gregory White Smith and Steven Naifeh. The pair won a Pulitzer Prize for their earlier biography on Jackson Pollock in 1991.<\/span><\/p>\n The pair researched Van Gogh\u2019s life by studying hundreds of previously unpublished <\/span>and overlooked <\/span>documents, and along the way identified a number of lesser-known artists that Van Gogh reacted to<\/span>, learned from, or admired.<\/span><\/p>\n \u201cIn many cases,\u201d South said, \u201cthey were the only two people in the world who knew these artists were connected to Van Gogh or knew how they were connected to Van Gogh.\u201d<\/span><\/p>\n As Smith and Naifeh continued their research, they began to build a private collection of more than 30 artworks, not by Van Gogh, but by the artists Van Gogh knew. <\/span><\/p>\n Smith died of brain cancer in 2014. But later that year, Naifeh agreed to loan their collection to the Columbia Museum of Art as the foundation for a Van Gogh exhibition.<\/span><\/p>\n \u201cIf Steve Naifeh would lend me his collection,\u201d said South, \u201cI could weave into it a number of Van Goghs, and it would be a meaningful show because the collection would be built by the two men, the two authors, who wrote the definitive biography.\u201d<\/span><\/p>\n Naifeh embraced the idea, and South was<\/span> faced with the daunting task of acquiring some of the most sought after pieces of art in the world. <\/span><\/p>\n \u201cAt any given minute around the globe, there are seven to a dozen or more Van Gogh shows being plotted, because everybody wants to see them all the time,\u201d said South. “<\/span>I was just determined to get three.\u201d<\/p>\n After five years of additional research and collaboration with museums and private collectors across the United States, South<\/span>\u00a0managed to secure 12 original artworks by Van Gogh himself. <\/span><\/p>\n \u201cI was rationalizing the number 12 everywhere I could, because I was so happy to have gotten it,\u201d said South. <\/span><\/p>\n In total, \u201cVan Gogh and His Inspirations\u201d consists of roughly 60 paintings, drawings, and etchings, handpicked to illustrate Van Gogh and the artists that shaped his vision. <\/span><\/p>\n However, with a decades long interest in cognitive neurosciences, South has a unique and unconventional way of thinking about the exhibit and Van Gogh himself. <\/span><\/p>\n \u201cArtists like Van Gogh don\u2019t appear out of a vacuum,\u201d South said. \u201cThey\u2019re just like us. They have certain experiences that only they have. If you really want to understand Van Gogh, look at the experiences that made up his life.\u201d <\/span><\/p>\n South said the best way to understand Van Gogh is not by viewing him as an artistic genius, but by examining his life experiences, including<\/span>\u00a0the artists he knew, the places he went, and the sicknesses he suffered.\u00a0<\/span><\/p>\n \u201cVan Gogh went beyond mimicking nature, and instead used nature as a vehicle for his own emotional life, which was on fire. He lets his emotion fly at the canvas and becomes the first expressionist painter. Once he did that, there was no going back for the world.\u201d <\/span><\/p>\n South said he hopes the exhibit invites a dialogue from the people who visit about Van Gogh\u2019s legacy and what it means to be conscious in the world.<\/span><\/p>\n